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PRESENTING
  • Don’t Rush to Fill a Silence!

    One of my favorite classes in college was art history. Our teacher introduced us to a concept that sounded like something from a science fiction movie: “horror vacui.” She explained it meant fear of open space. The Egyptians were afflicted with it. In their art, they had the need to fill every blank surface. Their massive sculptures were covered with hieroglyphics. When that didn’t seem to do the trick, they painted them as well. Horror vacui was one of the dominant influences in some of the more famous illustrated manuscripts from the Middle Ages. There seemed to be the literal need to fill in all the 0s.
    Not all horror vacui is bad. As parents, we have come to rely on “Where’s Waldo?” books for a few minutes of peace and quiet.
    However, horror vacui is a force that hurts our acting. There is a tangible urge to fill any silence. I have seen clean, dramatic moments muddied by randomly adding words, gestures, or ever-evolving facial expressions. I have seen great comedic lines not “land” because of what my acting teachers used to call “nervous energy.”
    Is that what it is? My teachers always pointed to the great insights of Stanislavsky. Actors need relaxation onstage.

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