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  • It’s About the Notes You Don’t Play: Friday Evening at the 3rd Annual Blackstar Film Festival

    At one point during Friday night’s conversation between directors Kahlil Joseph and Terence Nance, the latter said that seeing the former’s “Black Up,” which “portrays a fever dream induced by the music of Shabazz Palaces,” on a big screen, helped him to get a different read on the film than he’d had from watching on his laptop. This time, he noticed that the eyes of an actress, purportedly in a fugue state, were wide open. I too had a similar experience viewing “Until the Quiet Comes,” “The Model” Pts One and Two, “Wildcat,” and the aforementioned “Black Up” on the theatrical screen of the International House in Philadelphia, the Blackstar Film Festival’s screening venue….

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