Any good actor knows he needs to prepare the “moment before” any scene. Often forgotten is the “moment after.”
When I’m holding auditions for my projects, I see so many actors who have done their research on the project, made character choices, and are off-book. Yet when the scene starts, I see them turn on their “acting switch” and start acting, rather than just leaning back into the character and the scene at hand.
You have to know what happened leading into the scene you’re reading (whether it’s an audition or on set). Many times, you’ve only received a set of sides, no script, and a minimal character description with no way of knowing what just happened. Guess what? You have to make it up and flesh it out. Find clues within the material and come up with your own “moment before” so that you have an organic place from which to come.
The action and emotional moments don’t just come with your first line. They come from the second the scene starts, even before the camera is rolling. There are golden moments before the first line is delivered. I always ask my cameraperson to shoot plenty of “heads and tails” to catch this magic.
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