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    Did you added your own Google API key? Look at the help.

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    Did you added your own Google API key? Look at the help.

    Check in YouTube if the id UC1c32cPA23NvaP0qkhBFDpA belongs to a channelid. Check the FAQ of the plugin or send error messages to support.
  • How a Cinematographer Sees the Art of Sound #FilmmakerToolkit

    “Dear White People’s” use of Schubert’s Piano Trio in E Flat made me giddy. I’ve always associated that piece of music with Kubrick’s “Barry Lyndon” and loved it being reimagined for a modern tale of love, deceit and identity crisis.

    Camera department gets a lot of attention but the sound for your film shouldn’t be an after-thought. It is the audio component (Texture of an actor’s voice. Ominous sound effects. Enchanting score) that solidifies the audience’s suspension of disbelief. David Lynch, a director who is always asking us to believe in the bizarre, said it perfectly: “sound is a great “pull” into a different world. And it has to work with the picture – but without it you’ve lost…

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