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    Did you added your own Google API key? Look at the help.

    Check in YouTube if the id UC4y6NK7UjIeDMBbCXlPNhsw belongs to a channelid. Check the FAQ of the plugin or send error messages to support.
  • Error type: "Forbidden". Error message: "The request cannot be completed because you have exceeded your quota." Domain: "youtube.quota". Reason: "quotaExceeded".

    Did you added your own Google API key? Look at the help.

    Check in YouTube if the id UC1c32cPA23NvaP0qkhBFDpA belongs to a channelid. Check the FAQ of the plugin or send error messages to support.
  • A Behind-The-Scenes Look at Why Voice Talent Gets Hired—and Why They Don’t

    I like wearing hats, it’s part of my love affair with costumes. I’ve always been inspired by the transformative powers different outfits held. As a teenager in Chicago, I wore my mom’s clothes from the 1940s and hung out in the costume rooms of the theaters I performed in.
    In a similar fashion (no pun intended), my professional life has also taken on various roles: stage actress, museum administrator, stockbroker, mom, voiceover artist.
    So it should come as no surprise that my 15-year career as a voice actor has been expanding beyond the realm of the diverse tasks required in this business (keeping your demos up to date, auditioning, audio engineering, self-directing, marketing, sales, website management, accounting, business development, training, etc) and now I’ve crossed over to the other side of the vocal booth glass, into the realm of producing and casting.
    For a recent project, I sent a casting notice to individual NYC VO talent, to a Facebook group that I administer, and posted on a pay-to-play platform I’ve been on as a talent for over 13 years. Using the casting site as a voice seeker has been eye-opening because I now see how actors are auditioning and communicating, and am quickly

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    Leave a Reply

    « | »

    A Behind-The-Scenes Look at Why Voice Talent Gets Hired—and Why They Don’t

    I like wearing hats, it’s part of my love affair with costumes. I’ve always been inspired by the transformative powers different outfits held. As a teenager in Chicago, I wore my mom’s clothes from the 1940s and hung out in the costume rooms of the theaters I performed in.
    In a similar fashion (no pun intended), my professional life has also taken on various roles: stage actress, museum administrator, stockbroker, mom, voiceover artist.
    So it should come as no surprise that my 15-year career as a voice actor has been expanding beyond the realm of the diverse tasks required in this business (keeping your demos up to date, auditioning, audio engineering, self-directing, marketing, sales, website management, accounting, business development, training, etc) and now I’ve crossed over to the other side of the vocal booth glass, into the realm of producing and casting.
    For a recent project, I sent a casting notice to individual NYC VO talent, to a Facebook group that I administer, and posted on a pay-to-play platform I’ve been on as a talent for over 13 years. Using the casting site as a voice seeker has been eye-opening because I now see how actors are auditioning and communicating, and am quickly

    Go to Source

    Leave a Reply

    « | »